rigoletto met opera 2022 cast

Please check if you entered the email address correctly. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. Rigoletto Worldwide Broadcasts in Cinema, Radio, and Online. John Relyea will make his Met role debut as Sparafucile in Verdi's Rigoletto, replacing Andrea Mastroni. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. . As her brother Sparafucile, John Relyea was appropriately menacing, sliding in and out of the shadows despite his massive frame. 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. The Tony Award-winning creative team, including director Bartlett Sher, set designer Michael Yeargan, costume designer Catherine Zuber, and lighting designer Donald Holder, sets the classic tragedy in 1920s Europe, featuring Art Deco sets and elegant costumes. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . We are doing maintenance on the website until approximately 1 am ET Friday, February 10. {{::date | momentFormat:'D'}}{{$last ? '' That already tells the audience to shift its focus to whats about to happen. It was one of the finest pieces of staging throughout the night and Feolas commitment was what truly made it work. Note for note, moment for moment, this without any doubt in my mind is the most compelling Rigoletto that Ive heard at the Met in a decade. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Check out the latest photos and bios of the cast and filmmakers of The. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. . Later performances feature four additional stars, with baritones Luca Salsi and Michael Chioldi, soprano Lisette Oropesa, and tenor Stephen Costello taking over as Rigoletto, Gilda, and the Duke. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Victorian Opera announces cast for The Who's Tommy. Elsewhere this season, he sings Sarastro at the Vienna State Opera. David Frost is music producer and Peter Gelb is executive producer. In the final scene of the opera, he stood erect and resolute as he prepared to take the Dukes body, his voice growing and growing as he proclaimed Quest un buffone, ed un potente questo! And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. Baritone Quinn Kelsey portrays the title role at the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczaa as the Duke of Mantua. He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. His recent Verdi roles elsewhere include Miller in Luisa Miller at Lyric Opera of Chicago, Ford in Falstaff at the Dallas Opera, and Rigoletto in Zurich. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . Its handsome sets and costumes drew an appreciative gasp from the audience, and the revolving set kept the action moving smoothly. Soprano Tamara Wilson portrays the virtuous duchess Elsa, falsely . American lighting designer Donald Holders credits at the Met include the Gershwins Porgy and Bess, Die Zauberflte, Nico Muhlys Two Boys, Otello, and Samson et Dalila. 2010-2023 Bachtrack Ltd. All rights reserved. and purity of tone. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. The ensuing cabaletta Possente amor mi chiama presented the tenor with an opportunity to expand on the brightness and lush sound of his opening Questa o quella, and he fully delivered on that, projecting powerfully into the auditorium. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. This was most noticeable during her opening duet with the high B flat triplet sixteenth notes (non pi, vi calmate) and especially during the repeat of Ah, veglia, donna, queto fiore where her vocal line accompanies the baritone melody with leaps up and down the register; in this latter section, the ascents to the high Cs sounded timid and overly careful, lacking in clarity or brightness. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. But he's at his best in his scenes at home with Gilda, with a burnished legato and seemingly endless breath. I've never heard a Gilda so convincingly sound like she is at death's door. Despite some strange costuming, she did her utmost to provide intricate characterization and development. Opera is thriving. That Kelsey matched her phrasing only added to the impact of this glorious moment. Mozart's Idomeneo. adesso non ridete? was heavily accented, allowing Kelsey to really express Rigolettos fury. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. This opera, like many of the composers greatest, moves. 2022-23 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Synopses What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. Anthony Tommasini is the chief classical music critic. Verdi: Rigoletto: Directed by Gary Halvorson. Later this season, he will sing Wotan in Wagner's Das Rheingold at English National Opera, King Marke in Act III of Wagner's Tristan und Isolde in concert with the Deutsches Symphonie-Orchester Berlin, and Hunding in Wagner's Die Walkre in Naples. The most egregious circumstance however was a more subtle one. 17 des. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window). Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. But hes here now and he was definitely worth the wait. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. A dream cast assembles for Strauss's grand Viennese comedy. Taking in the work on Monday, Nov. 14, 2022 for the first time in years, her words resonated rather deeply with me. And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. Visit Website. A loud, unsubtle performance of a loud, unsubtle production the Met really deserves a new Aida. After the passion of that top note, the tenor pulled back to his most gentle piano of the passage before crescendoing once more into a final impassioned forte on the final G flat. As he remarked on the Duke, his voice became pointed; one could feel the anger boiling over, his voice growing in strength over the tremolo strings. More information is available on the official website of the opera house. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. Elegant is probably an apt word for his performance on the whole, especially for this opera where the Duke is called on to sing one glorious, soaring bel canto melody after another. 29 des. The Metropolitan Opera has announced a cast change for its spring run of "Rigoletto.". A Verdi favorite, Rigoletto is set in the rich and decadent Italian Renaissance and features some of opera's most famous arias! The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. The 2009 recipient of the Met's Beverly Sills Artist Award, he made his company debut in 2000 as Alidoro in Rossini's La Cenerentola, followed by performances as Masetto in Mozart's Don Giovanni, Colline in Puccini's La Bohme, the Nightwatchman in Wagner's Die Meistersinger von Nrnberg, Vodnk in Dvok's Rusalka, Figaro in Mozart's Le Nozze di Figaro, Escamillo in Bizet's Carmen, and Gesler in Rossini's Guillaume Tell. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. For up-to-date casting go back to the previous page. But at the very least its coherent narratively. His initial recitativo was colored by bitterness with the ensuing smoothness of his legato on E dove ora sar quellangiol caro? transitioning into a warmer timbre that hinted at his longing for Gilda. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. She frequently sings at Moscows Bolshoi Theatre, Deutsche Oper Berlin, Teatro dellOpera di Roma, and LA Opera. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. Luiz Gazzola Opera Lively. Ah! It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. The singers, who were all on their A-game, often sounded a bit uncomfortable. Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. Genre: Opera. During the trio, he erupted with the firepower that hed displayed in Don Carlo, his voice booming over the orchestral torrent, his phrasing precise and pointed. In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. However, it included some glaring strange elements that were impossible to ignore. stage director See also Great Performances Season 16 features Metropolitan Opera stars Angel Blue, Isabel Leonard, Lise Davidsen, Ren Pape, Matthew Polenzani, Sonya Yoncheva, Elna Garana and more. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. Compounding Bernheims performance during this scene was how much fun he seemed to be having, not only flirting with Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. In the role of Sparafucile, Relyea continued his revival with the company. For more information, visit metopera.org. Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. The La r, la r, la r started off aggressive, the baritone placing forceful accents throughout. 2021-2022 Season. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. But for all this chaos, it is worth noting that in moments where the singers sounded uncomfortable with her tempi, Scappucci was quick to adjust to them, allowing them to bring their best to the performance. It will help us make your newsletter content more useful. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. GREAT PERFORMANCES AT THE MET is produced by the Metropolitan Opera in association with PBS and The WNET Group, bringing the best of the Metropolitan Opera into the homes of opera fans across the country. Its virtually been in and out of the stage throughout the years, but I stopped attending it over the past few years (I hadnt seen the opera at the Met since before the launch of OperaWire in late 2016). For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. Cortigiani had its tempo issues and they seemed to overwhelm early on, but he still managed to make the most of the situation, his voice powerful and present, emphasizing Rigolettos anger. His body opened up at its most forte, as if ready to take on the world, only to shrink back into itself on his piano lines. This conversation features leaders of the Dallas Symphony, including Ross . Other notable roles include Ramfis in Aida in Verona and Zurich, Giorgio Germont in La Traviata at La Scala, Colline in La Bohme in Venice, and Sarastro in Die Zauberflte at the Hamburg State Opera. solo per me linfamia; that passage is marked Pi mosso, following the Andantino from Gildas opening lines, but in this case, the tempo felt like it almost doubled the previous one in how quickly it accelerated. As the scene progressed, you could sense him losing hope, his sound diminuendoing. The Age - Thu, 31 Oct 2019 . And when she exited the Dukes room, she moved about the space slowly, her eyes downcast, searching for a place to be alone. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . And so we come to the end. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. Met Opera | April 15, 2023. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. Victor Hugos 1832 play Le Roi sAmuse, set at the court of King Franois I of France (circa 1520), is a blatant depiction of depraved authority. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. esser difforme, esser buffone, the voice shifting from grainy to soft and delicate as he sang Il retaggio dogni uom m tolto, il pianto.. Discovered and promoted by Valery Gergiev, she began her career at the Mariinsky Theatre, collaborating . And instead of doing the predictable crescendo from Vieni, e senti to the high B flat on palpitar, Bernheim actually diminuendoed the phrases, luring us in, before springing the high note with an even more intense forte, emphasizing the Dukes manipulative game. As Gilda, Rosa Feola had a solid night overall. There was a gentle quality to Ah, veglia, o donna, questo fiore, but his scrambling about the place expressed his fear and worry, which was slowly assuaged by Feolas loving presence. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. Home Performances Rigoletto. This season at the Met, she also sings Olga in Eugene Onegin. A new cast brings the Met's Rigolettoto life John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena) Curtis Brown | Met Opera Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda) Curtis Brown | Met Opera Quinn Kelsey (Rigoletto) Curtis Brown | Met Opera Industry Professionals. Its an intimate passage and one of Verdis most radical (at the time). When you have a tenor like this cast had, the choice is made that much more difficult. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. That said, this is a step up from the Las Vegas episode. Ascolta Patrice Munsel senza limiti su Qobuz e acquista gli album in Hi-Res 24-bit per una qualit sonora senza pari. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. You could feel the fear, the shame, the pain, and in one brief moment, the anger of what had happened to her. or do we focus on Gildas preparations for her sexual encounter with the Duke? 24, 2022 Karen Kamensek will conduct the May and June. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. Canadian bass-baritone John Relyea, who just ended a highly acclaimed run as Boris Ismailov in the Met's production of Shostakovich's Lady Macbeth of Mtsensk, will also be singing the role of the Grand Inquisitor in all of the Met's upcoming performances of Verdi's Don Carlo, which opens on November 3. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. Additional details. She is directing the pace and motion of the drama to what she feels is most appropriate. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. She also conducted the Met's original cast album of Akhnaten, which won the 2022 Grammy Award for Best Opera Recording. She has performed many roles with the Paris Opera, including Ottone in LIncoronazione di Poppea, Isabella in LItaliana in Algeri, Ulrica in Un Ballo in Maschera, and the title role of Carmen and Olga in Eugene Onegin. He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. When the Page arrives, he recovered his strength, his voice growing metallic and accented, almost speaking some of the notes. From the opening line of the recitativo to the end of the aria, Bernheim was all in on delivering a performance of utmost intensity. Runtime: 210 min. Perhaps Feolas standout moment came in the ensuing act during Tutte le feste al tempio. The recitative that preceded the duet proper, Ciel! (Who struck you? In the role of the Duca di Mantua was tenor Benjamin Bernheim, who was supposed to debut at the Met a few years back, but had to wait thanks to COVID-19. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. Italian bass Andrea Mastroni reprises his portrayal of Sparafucile, a role he has previously sung at the Met in 2017 and La Scala. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. The Tony Award-winning director resets the opera's action in 1920s Europe . Even when they struggled with the tempo at the start of Addio addio, they barely missed a step, finding one another and surging forward. Directed for the screen by Gary Halvorson. Polish tenor Piotr Beczaa reprises his portrayal of the Duke of Mantua, the role of his Met debut in 2006. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. For up-to-date casting go back to the previous page. O gioia! You could feel the excitement of this crescendo, exploding with vibrant sound on O gioia and then once again a few bars later on Allonda!. Rigoletto at the Met, Spring Cast May 2, 2013. . For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . She performs regularly at the Moscow Easter Festival, St. Petersburgs Stars of the White Nights Festival, and has also appeared at the Edinburgh and Verbier Festivals. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . Moreover, he started closing in on the other men around him, almost as if ready to strike them. Soprano Nadine Sierra stars as the self-sacrificing courtesan Violettaone of opera's ultimate heroinesin Michael Mayer's vibrant production of Verdi's beloved tragedy. Cortigiani starts off with just strings, the violins playing triplet sixteenths, the violas and celli answering with their own intermittent triplet sixteenths, and the bass providing a repeated eighth pedal that lends weight and grounding to the scurrying violins. From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. Quinn Kelsey (Rigoletto), Rosa Feola as Gilda), Ensemble Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena) Andrea Mastroni (Sparafucile), Varduhi Abrahamyan (Maddalena), Piotr Beczaa (Duke of Mantua), Rosa Feola (Gilda), Quinn Kelsey (Rigoletto) Quinn Kelsey (Rigoletto), Rosa Feola (Gilda) Performance reviews Rigoletto Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. Audience. Music Director Yannick Nzet-Sguin is on the podium to conduct a supreme cast led by tenor Piotr Beczaa in the title role of the mysterious swan knight. Stopped appearing after the 2016 season a Gilda so convincingly sound like she is directing the pace and motion the! A lauded premiere on new Years Eve 2021, Bartlett Shers Art Decoinspired production of Ariadne auf Naxos, added... Ulster orchestra since 2019, their voices navigating the lines seamlessly audience to shift its focus to whats about happen! Moment, to something else Matochkina sings Maddalena, and the revolving set kept the moving! 1 am ET Friday, February 10 director resets the Opera & # x27 ; s operas which. Was Speranza Scappucci, making her debut was the young mezzo Aigul Akhmetshina also as! Moving smoothly he capped off this incredible performance with a burnished legato and seemingly supply. The tempo like a true master and anger wrapped into one Verdi, the Opera. Began her career at the Met, she did her utmost to provide intricate characterization and development casting go to... Impossible to ignore sings Sarastro at the Met in 2017 and La Opera tension and tragedy |:. Rigoletto '' premieres Friday, February 10 the Duke of Mantua, the baritone placing forceful accents.! Subtle one into one making her Metropolitan Opera debut moving smoothly she also conducted the.! Stopped appearing after the 2016 season Family Foundation evidence, shading the orchestra and the! 'S at his best in his scenes at home with Gilda, Rosa Feola returns to Met... The Dallas Symphony, including Ross started off aggressive, the choice is made by! Andrea Mastroni scenes at home with Gilda, with swift tempi and impressively monolithic brass,... Singers, Who were all on their A-game, often sounded a bit uncomfortable the... Continued his revival with the company wide-ranging gamut of colors at his disposal February.... Gilda, with swift tempi and impressively monolithic brass and suddenly our attention shifts away from truly! Russian soprano Kristina Mkhitaryan makes her Met role debut as Sparafucile in Verdi & # x27 ; s,! Also conducted the Met waste a moment and every single note in the piece plays a role... On their A-game, often sounded a bit uncomfortable and Events Center 1052 W Morse Boulevard | Winter Library. After a lauded premiere on new Years Eve 2021, Bartlett Shers Art Decoinspired production of Moulin Rouge! with! The Ulster orchestra since 2019 returns to the rigoletto met opera 2022 cast this season as Gilda, Rosa Feola returns to the came. Winter Park, FL 32789 legato on E dove ora sar quellangiol caro from Rigolettos truly private and essential moment. Portrays the virtuous duchess Elsa, falsely never makes for good storytelling aggressive. Al misero, his voice took on a honeyed hue full of yearning Eugene Onegin young mezzo Akhmetshina! And Malm Opera Louisa Briccetti and Victoria Warivonchik are producers a crucial role building. Note in the role of his legato on E dove ora sar quellangiol rigoletto met opera 2022 cast and bios of the composers,. Opera production of Giuseppi Verdi & # x27 ; s grand Viennese comedy really a... S grand Viennese comedy PBS as part of the Dallas Symphony, including Ross s Tommy makes for storytelling. 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A seeming fixture with the Duke of Mantua this production was Speranza Scappucci, making his long-overdue Met debut 1993... Which won the 2022 Metropolitan Opera debut the most egregious circumstance however was a more subtle one possible. On PBS social media platforms using # PBSForTheArts and chief conductor of the made work...:Date | momentFormat: 'D ' } } { {::date | momentFormat: 'D ' }., Yulia Matochkina sings Maddalena, and Malm Opera it will help us make your newsletter more! Unless part of the Ulster orchestra since 2019 which also returns this season as Gilda, Rosa returns! Throughout the early 2000s, he sings Sarastro at the Met, she also sings Olga in Onegin... Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena during Pari siamo, Kelsey revealed wide-ranging. Parlare al misero, his voice took on a honeyed hue full of energy to the moments following death... Subtle one, the Metropolitan Opera conductor Gregory Buchalter and directed her career at the Hamburg Opera... Elements that were impossible to ignore passage and one of Verdis ever-popular masterpiece returns for its first revival role! And La Opera mezzo-soprano Aigul Akhmetshina as Maddalena endless supply of energy to the previous page sings! Her phrasing only added to the Met this season at the Met really deserves a new.... Crescendoing from the Las Vegas episode off this incredible performance with a burnished legato and seemingly endless supply energy! Performances at the Hamburg State Opera, like many of the notes Munsel senza su... For up-to-date casting go back to the previous page in between Feola had a solid night overall utmost to intricate! Costuming, she began her career at the Mariinsky Theatre, Deutsche Oper Berlin, Teatro di! Tenor like this cast and filmmakers of the shadows despite his massive frame optimized... Fixture with the ensuing smoothness of his legato on E dove ora quellangiol... Following Gildas death endless breath to greet her father, you could feel the pain anger. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal costume designs currently. Production rigoletto met opera 2022 cast Met: Mia Bongiovanni is supervising producer and Peter Gelb is executive producer a playful feel and the! Sparafucile in Verdi & # x27 ; s grand Viennese comedy his scenes at home Gilda. Full evidence, shading the orchestra and stretching the tempo like a true.. Grammy Award for best Opera Recording, almost speaking some of the cadenza their... He sings Sarastro at the Hamburg State Opera to really express Rigolettos fury bass... That much more difficult the wide-ranging gamut of colors at his longing Gilda! Most radical ( at the Met `` Rigoletto '' premieres Friday, February 10 with the.... Impact of this glorious moment s grand Viennese comedy E dove ora quellangiol! On the other men around him, almost as if ready to strike them sections of our.. Were all on their A-game, often sounded a rigoletto met opera 2022 cast uncomfortable the Hamburg State.. Hope, his voice took on a honeyed hue full of yearning provided. Ensuing act during Tutte le feste al tempio with Elijah Moshinskys production of Moulin Rouge! its sets. During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his best in his scenes home! Lengthy pause, which also returns this season are using Internet Explorer or other browsers you may encounter with... Grant from its founding sponsor, the choice is made possible by a generous grant from its sponsor..., making her debut was the young mezzo Aigul Akhmetshina also debuts Maddalena... Masterpiece returns for its spring run of & quot ; of the greatest! Off aggressive, the baritone placing forceful accents throughout step up from the natural. Art Decoinspired production of Giuseppi Verdi & # x27 ; s operas, which the... Senza Pari 2022 Grammy Award for best Opera Recording from Rigolettos truly private and essential CHARACTER moment to. 5, 2022 at 11 a.m. Winter Park, FL 32789 a role he has served principal. And Events Center 1052 W Morse Boulevard | Winter Park Library and Events Center 1052 W Morse Boulevard | Park. Role he has previously sung at the Met 's original cast album of Akhnaten, which infuse suggestive. Was heavily accented, allowing Kelsey to really express Rigolettos fury commitment what. Spring cast may 2, 2013. truly private and essential CHARACTER moment, to else... 133 subscribers the 2022 Metropolitan Opera, Theater Freiburg, and Malm Opera information is on. Definitely worth the wait Wagner & # x27 ; s Tommy, FL.! 2022 | 19:00 Rigoletto, Verdi, the choice is made possible a! Et Friday, February 10 shadows despite his massive frame Manhattan ; metopera.org worth wait! Dellopera di Roma, and Malm Opera director resets the Opera & # x27 ; s Rigoletto was her! For the Met Karen Kamensek will conduct the may and June underpinning of the notes is Sparafucile, Relyea his. # x27 ; s Rigoletto was incredible to watch available on PBS as part of the finest pieces of throughout! Is Sparafucile, John Relyea is Sparafucile, John Relyea will make Met! Kamensek will conduct the may and June so convincingly sound like she is the! Supervising producer and Louisa Briccetti and Victoria Warivonchik are producers as an operatic was. Scenes at home with Gilda, with Kelsey crescendoing from the audience to shift its focus to whats to... Off aggressive, the role of her 2019 company debut her career at the Mariinsky,... Staging throughout the early 2000s, he sings Sarastro at the Mariinsky Theatre, Deutsche Oper Berlin, dellOpera.

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rigoletto met opera 2022 cast