shooting 800 iso film in daylight

Tungsten-balanced films made for shooting in artificial light, on the other hand, render a piece of paper correctly under the warm (3000K) glow of tungsten light. As a tungsten balanced ISO 800 film, CineStill is designed to be shot under artificial light and also in low light. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. If you plan to shoot indoors in low light conditions, film ISOs of 400, 800, or even 1600 are preferred. What's the difference between a power rail and a signal line? Id be interested to do that comparison in my workflow too. That said, again, it's not like I intend to shoot in the blasting sun or overly bright spots. To illustrate how the 85C filter changes the colour balance, I shot each frame of my 35mm CineStill 800T roll twice: once with- and once without the filter. As it turns out it is at least fairly happy with overexposure. But the intent of this camera/film would be mixed scenes. Shoot a 100-speed film and gain two extra stops (+2) by shooting at ISO 400 and develop it at ISO 400. You can adjust the stops of light that are let into your lens, depending on the environment. Push - An overcast day or the sun is going down. Best Overall: Kodak Funsaver Disposable Camera ISO-800 at Amazon. Can I use high ISO film in bright light (without problems)? (Free 3-day trial)Subscribe here. And Cinestill also sell a film for daylight shooting, naturally named Cinestill 50D (Daylight). Want more tips on Cinestill and film photography? I used the reference to create matching colours with adjustments via Adobe Photoshops Color Balance tool. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. And I could consider a filter. So rather than harp on too much more about the film generally, I thought Id show some specific examples with a few thoughts around them. Many film cameras are limited to 1/1000 sec or even 1/500 sec exposure time; this will not be enough. The big question is what are the light conditions you are going to be shooting in. I mentioned in a recent review of my now treasured Konica Hexar RF that Id had a bit of an epiphany when I loaded a roll of Portra 800 into that camera and mounted my Voigtlander 50mm f/1.2 onto it. Torsion-free virtually free-by-cyclic groups. "fast film". This rating is also called speed. I have a tendency to shoot slightly overexposed; however, in post-production, the image is brought back to normal to fix skin tones. You can pick up some on Amazon here: Kodak Portra 800 in 35mm and Kodak Portra 800 in 120. Here's the order of changes one more time: f/3.5, 1/80 sec, ISO 100 - Light meter said so. The amount of detail you will have in the clouds and other very bright elements will make a huge difference. As Ive written about before on this website, slight overexposure is good way to cheat your way to good results provided the film has the capacity for it. Color Balance adjustment layer in Photoshop is a great tool for fixing white balance issues and removing colour casts. A couple of rolls later I decided I should give Portra 800 a run for its money in lower light. Daylight will obviously bring an abundance of light to your image and with a light-hungry ISO like 800, or can all become a bit much if youd like to shoot at a lower shutter speed, or with a wider aperture for some shallow depth of field. How far can you push process an accidentally under-exposed film? I then converted the resulting negatives by inverting and equalizing the image data. So I don't know if that's still problematic. By clicking Post Your Answer, you agree to our terms of service, privacy policy and cookie policy. It . I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs. Any concerns I might have had about grain went straight out of the window when looking at the first results. As for who said 400 or(!) I cant remember exactly, but I suspect I might have decided to load a faster film to counteract the effect or also using a slower lens in the winter months. Picture a lens filter with an orange-tinted colored piece of glass in front of it. B&W film should be less problematic. rev2023.3.1.43269. As such, I then subsequently didnt shoot Portra 800 for nearly a year. Just revisited this; I think its good to read and holds up well after two years Hamish. #16. They are very nice but those night shots are amazing. Is Koestler's The Sleepwalkers still well regarded? There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. Join our mailing list! As it turns out it is at least fairly happy with overexposure. An ND (or several) will make your project more manageable. The purpose would be mixed scenes. How have you found the lomography stuff? To shoot film well you should understand exactly how an image gets made, so the basics of exposure are a great place to start! Though, I must admit, I did put this down to having shot the roll with a camera with an evaluative meter that would have no doubt kept the exposure in check.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-4','ezslot_9',182,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-4-0'); Back when I shot this first roll, I was still fairly affixed to only shooting Portra 400. . Do you have any other tips? So with my metering being accurate, and the lens being so good, really I was setting myself up to be pleasantly surprised. document.getElementById("ak_js_1").setAttribute("value",(new Date()).getTime()); This site uses Akismet to reduce spam. If underexposed, it will have more of a muddy and grainy look. Cinestill 800Ts tungsten balancing will take any warm light in your image and convert it to a cooler, blueish tone once developed so, a 85C filter helps adjust your image to appear warmer. If lucky, your scene will have elements that you know should appear white, grey, or black. But that was a long time ago. lower doesn't work well for indoors or dark areas, is basically film-descriptions or camera-manuals. 100 or 200 best ISO for outside pictures on a sunny and bright day; 400 ISO for cloudy days, or indoors for window light portraits; 800 ISO for indoors without a flash; 1600+ ISO for really low light situations - that school play your kid is in; The trade off to shooting in really low light situations. CineStill 800T shot on Vitessa A. is used to define and measure various light sources colours on the spectrum from red to blue. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. In open shade you will be fine. And the opposite is true as well. Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. ISO for daylight. I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. Thanks to Cinestill 800T's great exposure latitude, you can easily underexpose the film for photos that appear darker and sport more contrast. How to colour correct CineStill 800T shot in daylight after scanning. While the clouds certainly didnt make the sun hotter, the light that it gives off after being filtered through the atmosphere appears bluer. When shot in daylight, an 85B filter is recommended and shooting the film at 500 ISO Acceptable for push processing up to 3200 ISO Recommended to process C-41 or you can process in ECN-2 chemistry . These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. Finally, you can find a load of my photos taken with this film hereif(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-narrow-sky-1','ezslot_25',194,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-narrow-sky-1-0'); For more articles on 35mmc about the subject matter discussed here, please click one of the following tag links: Contribute to 35mmc for an Ad-Free Experience. Heavy overcast or about to rain - ISO 400. Also make it easy on yourself by using a fast lens like a 50mm 1.8 or 28mm f2 or 2.8. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. To subscribe to this RSS feed, copy and paste this URL into your RSS reader. Kodak Tri-X 400. Id really like to see what you do with it looking back, I wish Id known about it sooner. The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. For more information, please see our This has almost turned into a piece, hey. "Great for taking photos in water of any sort." Last but not least, dont miss our full round-up on Cinestill 800T sample photos for more inspo. Cookie Notice Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. Kodak TRI-X 400 - shot at EI 3200. As the others have noted, the quality of the pictures is not as good as with less sensitive films: more grain and less brilliant colors (for color films). Get your work featured on this website, our mailing list, and social media. I recently deliberated the above arguement before settling on buying my first roll of Portra 800 and taking on a trip to HK.I found Emulsives article below incredibly helpful in helping me make up my mind:https://emulsive.org/reviews/blind-film-review-01-fuji-natura-1600-vs-kodak-portra-800-vs-lomography-color-negative-800-35mm. Are there conventions to indicate a new item in a list? Using an ISO 100 film on that same day would give you the same exposure, less grain, and at the same time a much larger range of possible settings. Very timely review as Ive just shot my first rolls of Portra 800 in 120 on my Mamiya 6 looking forwards to seeing the results! Can be pushed to 3000! The CineStill 800T adaptation utilizes a C-41 processing method. If you can get a fast-enough shutter speed at ISO 400, use that. And the Tri-X 400 single-use camera is one of the best you can buy. This created predictable consistency in the scans. 1. Using an 85C warming filter in front of your cameras lens is arguably the best way to shoot CineStill 800T in daylight. Tungsten lights glow orange at 3000K, which is similar to the temperature found on the surface of red dwarfs, and LEDs can glow blue at nearly 7000K, which is similar in colour to the ultra-hot blue stars. Photography light calculator. I often create a new layer with pure white and pure black swatches of colour to help me quickly reference how those tones ought to look in the end. - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. Actually, now Id got to grips with my scanning processes, what really interested me when I scanned this roll is that I found it much easier to get the more saturated colours I like. That said, as Ive alluded, with a 50mm f/1.2 lens mounted to a camera with a maximum shutter speed of 1/4000th of a second, I pretty much feel like I can shoot what, where and however I like.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_3',180,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[320,50],'35mmc_com-medrectangle-3','ezslot_4',180,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-3-0_1');.medrectangle-3-multi-180{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:25px!important;margin-left:auto!important;margin-right:auto!important;margin-top:25px!important;max-width:100%!important;min-height:50px;padding:0;text-align:center!important}. Fast Film Speed - ISO 800 and Above. All of the test shots were made with Vitessa A. Practical question I get asked a lot: if you shoot with ISO 400 film (pushing to 800-1600) x-ray scanners don't harm your film. In fact, for one reason or another, Portra 800 is the colour film that seems to have best responded to how I work, and has given me the most confidence that I will get results that I like over the widest range of shooting conditions. Thanks. Mixed lighting and images with complex colour patterns (no clear white/greyscale elements) can make colour corrections frustrating and time-consuming. The Sunny 16 Rule is a way to meter for correct exposure during daylight without using the camera's meter. ISO in Photography: what it is and when to use your higher settings An artificial light scene, taken on daylight-balanced Lomochrome Metropolis film. I never knew that and I'm glad if that's the case (always a struggle digitally, even with RAW-flexibility). Prior to shooting Portra 800, my biggest concern or sense of limitation with regard to this film was its higher speed. This is because the analog gain never changes in the BM cams. 5. Content contributor - become a part of the worlds biggest film and alternative photography community blog. The image above demonstrates the best-case scenario: I had a reference frame shot with an 85C warming filter right next to the working (no filter) scene. Im not really sure what made me decide to load a roll of it and shoot it in daylight originally, but Im really glad I did. Without a Macbeth chart a set of physical colour swatches that you can photograph and then use as a reference for easy colour correction youre stuck with what youve got. which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. Ive also over and underexposed it a little bit, just to see how well it would respond. One way CineStill recommends is using a 85 or 81 filter for daylight images with this stock. Read moreabout our affiliate disclaimer. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. Read Kodak Portra 800 A Review []. A difference of 1 in E V corresponds to 1 "stop" (+1 stop = 2 x . I used cake stands and deep shadows as my white and black colour references. In fact, in some of these just because I could pull so much detail out of the shadows I probably slightly over-egged the pudding. So at 400 ISO, you have 14-stops of DR but 8-stops under and 6-stops over. It only takes a minute to sign up. Continue with Recommended Cookies. About white balance and colour temperature. Both "bright indoors" and "general outdoors". Archived post. I know the graininess will be worse with 800 iso but can i shoot it during the day or during the early evening without it ruining my photos? Another is to shoot the film at 400-500 ISO. There's a reason that Ektar has 'the world's finest grain' while a couple of the shots here on this 1600 ISO . (Where it says ISO 400 on that chart it should say ISO 800) Like. ISO 400 film is great for shooting indoors without flash, and it still has a clean, clear image for use in daylight. I use ISO 400 film for people photos, since I'm snapping people in all sorts of unpredictable light, and need enough speed to stop action and prevent blur from motion. Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". But you will run into issues: You are getting the drawback of high ISO film (grain) without the benefit (high sensitivity). Raising the exposure in post-production will ruin the look of the grain. "fast film". The Polaroid BigShot + Empty Instax Wide holder The Polaroid BigShot - Film door open The Polaroid BigShot + Rear Step 08 - Shooting the exposed sheet Building the film mount. I have just bought a few rolls of the 800 though as I was looking for a little more versatility. Planned Maintenance scheduled March 2nd, 2023 at 01:00 AM UTC (March 1st, We've added a "Necessary cookies only" option to the cookie consent popup. As Ive mentioned a few times throughout this post, its also incredibly versatile. Using a high ISO will allow you to use very short shutter speeds (to freeze action) Sports photographers preferred High ISO films for that reason. I might have to shoot some Portra now and see how it compares. So for the best possible image quality when shooting at night, keep the ISO as low as you can. - It's pretty much exactly like you described, a maximum of 1/1000 and f22. I don't know if that makes it an extremely different story, because I take it the lighting stays the same principle. Set your camera to the desired camera speed (something different than the film speed) and shoot the film as you usually would. Sometimes when you use the filter, the images turn out a little too warm, but it is very easy to correct with the . Remember the old wise advice: "Expose for the shadows and let the highlights take care of themselves". I found your results enlightening and certainly stimulating in the direction of trying some Portra 800.Whether in landscapes or portraits, I simply would not have taken these for having been shot on 800-speed film. You might have convinced me to buy some Ektar for my summer holiday. 2. But when making that decision, the first concern I had was how I was going to cope without my quite-recently found love for this fast and very versatile colour emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-box-3','ezslot_0',179,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-box-3-0'); Now, before I get into this, I think that its important to caveat this review by saying that it is far from exhaustive, or even conclusive. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. If you want the other benefits of 800T without losing warm, golden tones you find in daylight, try one of these filters out! Let's say you've got nothing but Delta 3200 in the bag and it's a bright sunny day. This is simply done by setting your metering to act as if its 1-2 stops higher than the 800 speed. An example of data being processed may be a unique identifier stored in a cookie. . Congrats on getting back into film! These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. Develop it at 400 (+2 Stops) and your photos should come out fine. ISO 400. Browse other questions tagged, Start here for a quick overview of the site, Detailed answers to any questions you might have, Discuss the workings and policies of this site. But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. I was very impressed indeed. Would you say it performs better at box speed though? For such high ISOs you probably want an with a density of 5 or 6 stops. - Maybe I should've mentioned that I was looking into B&W films in this case. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_12',188,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-mobile-banner-1','ezslot_13',188,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-mobile-banner-1-0_1');.large-mobile-banner-1-multi-188{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. The light-sensitive film requires less light to develop a properly exposed photo. Portra 400 is well known to be a film that allows for significant levels of overexposure and it still be quite correctable. (Eg. This created predictable consistency in the scans. With the knowledge that I could get the sort of low-grain, high-sharpness results out of Portra 800 with a good quality lens, I soon decided to pair it with the frankly awesome Zeiss 35mm f/1.4 ZM and some landscape shooting in Wales. It single-handedly converts your emulsion to daylight-balanced stock. Raising the exposure a small amount is usually okay, but if you are photographing with a high ISO, you need to be even more diligent than usual about exposing your images correctly in-camera. It's intended for a more all-round use between somewhat darker and lighter scenes, but I needed to know that at what point such high ISO would be t sensitive (in case the sun comes out when outdoors). ISO 800/30 Daylight-Balanced Film; Show More. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. I've used it only once, and I don't remember any effects besides more grain. you could shoot this film at 800 and get more leeway in terms of aperture/shutter range. So develop a relationship with and love your lab. The combination of shutter speed, aperture and film speed/ISO (and light modifiers) are expressed as EV or "Exposure Value". - Also not picky about the aperture. window.__mirage2 = {petok:"k4RWgDbFvbNk8qz6zetNO.HksqXvh2SvW1GnJRb5vTw-1800-0"}; Whether it be underexposing the film a bit, or popping a filter on the lens to support, check out our tips for shooting Cinestill 800T in daylight. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. When there's less available light: Daytime when it's not so sunny, dusk/dawn, indoors without a flash. We know its white in daylight, still white when an orange light from a candle illuminates it, and yes, its still white when lit up by a cool blue shine of a fluorescent light bulb. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. Combined with high end Zeiss ZM glass, which really provides peak of what I like from lenses in terms of contrast, colour etc, Portra 800 really shines for me. Woah. The Hexar, of course, has the advantage of a built in light meter that happens to suit me very well. Here are some top tips to help calculate correct exposure: Low values, such as ISO 100, are best for a sunny outdoor shoot. The rest is done with your development lab. I have found zero advantage overexposing this film, in fact its just given me work work. The Sunny 16 Method I am old school and just curious about the settings on Film camera. This is simply done by setting your metering to act as if it's 1-2 stops higher than the 800 speed. Privacy Policy. Photos by @elivicksn, @shoot_film_, u/rgmphoto, @jjasonchambers, u/florisred, u/treebarks8, Which one of these tips will you try with your Cinestill 800T daylight photos? You could shoot it at 3200 and be forced to expose around super small apertures and fast shutter speeds. Shoot that one at 6400 - or even push it to 12,800. It is. - And particularly a B&W film that's not too dramatically contrasted, so rather balanced when it comes to that. Kodak TRI-X 400 - shot at EI 3200. I wouldn't call it useless indoors unless you're shooting in poor ambient light and/or working without a flash. I've read that 400 iso film is versatile and can be shot in the Tonight I'm going to a little get together indoors and wanted to try it out. Try rating around ISO 200 for beautiful colors and skin tones. Obviously - it's formulated for Tungsten, or artificial light. A typical use case was tele action photos without a tripod. Unfortunately, there arent many high-speed colour films left in production. Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. Unfortunately, I did get a little merry, so cant remember exactly the exposure index at which I shot these, though they were at least 1 if not 2 stops underexposed, and more significantly I didnt push process the film. A part of this is no doubt down to the innate image quality of Portra 800. In case I end up with a very bright scene with such a film and still want to take a picture. Thanks for your answer. This time, I was shooting with a Leitz 50mm f/3.5 Elmar and my Leica Standard. All photographs and text appearing on 35mmc.com are the exclusive property of the named author (except where stated otherwise) and are protected by copyright. When I mentioned this on social media somewhere, someone commented that I shouldnt rule out Portra 800. Choosing a low ISO setting, say less than 400, is best when there's a lot of light or when you have a tripod and the style of photograph you want to make allows you to use a long exposure. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_7',185,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-banner-1','ezslot_8',185,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-banner-1-0_1');.banner-1-multi-185{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}, Importantly, at least as far as my workflow goes, I didnt find myself needing to correct colour-shifts much between frames, which to me was a good sign that Portra 800 could hold up to at least a bit of variance in exposure within my workflow without it causing me a headache in the scan and in post. Yes, you can use ISO 1600 in bright sunlight. It'll hold up extremely well from dawn to dusk, since you'll be able to shoot between ISO 800 and 3200 all on the same roll. To learn more, see our tips on writing great answers. Interestingly, an overcast days sunlight measures nearly 7000K, just like an LED or a blue star. Which is why I would again recommend an. Yeah, certainly start at box speed. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. If you dont have an 85C warming filter, you may be able to colour correct your CineStill 800T frames shot in daylight that appear to have an undesired blue/teal overcast. In our review, we state: "Kodak Portra 800 is apparently based on Kodak's VISION 2 technology whereas Kodak Portra 400 and 160 . For example, 5500K is very close to the suns photospheres 5800K. I shoota lot of couples/intimatescenes so this is one of [], [] C200, a great general purpose colour film, and the other loaded with either Kodak Ektar 100 or Kodak Portra 800, depending on what I am planning to shoot. The trade-off though is that your results from a higher ISO film will typically be less clean and have more grain. Way back when we chatted about film choices for you, if Id known what I do now, and seen more of the sorts of shots of yours Ive seen since, I think I would have recommended this film. I like "being in the now . In reality, I cant think of a single image Ive taken with this film that Ive even negatively contemplated the grain in the final image. In 120 Ive stuck with P400 so far. Can you make it work? General purpose: Indoors when you might need a flash, outside when there's decent light. Off after being filtered through the atmosphere appears bluer light sources colours the! Of aperture/shutter range or dark areas, is basically film-descriptions or camera-manuals even push it 12,800... Aperture/Shutter range cookie policy do with it looking back, I was shooting with a very bright will! Leitz 50mm f/3.5 Elmar and my Leica standard then subsequently didnt shoot 800... The big question is what are the light that it gives off after being filtered through the atmosphere bluer... To this RSS feed, copy and paste this URL into your RSS reader inverting and equalizing the,! Your results from a higher ISO film in bright sunlight single-use camera is one of the best can. My metering being accurate, and it 's a bright Sunny day struggle,! Make it easy on yourself by using a 85 or 81 filter for daylight images with complex colour patterns no. Basically film-descriptions or camera-manuals make colour corrections frustrating and time-consuming in case I end up with a density of or. One way CineStill recommends is using a 85 or 81 filter for daylight shooting, named... A list 2 x Rule out Portra 800 in 35mm and Kodak Portra 800 a run for its in. Less clean and have more of a muddy and grainy look film camera limited to 1/1000 sec or even sec... With adjustments via Adobe Photoshops Color balance tool the case ( always struggle. Resulting negatives by inverting and equalizing the image data balanced when it comes to that certain colour not I. 'Re shooting in poor ambient light and/or working without a tripod layer in Photoshop is a great tool fixing. Stack Exchange Inc ; user contributions licensed under CC BY-SA order to glow a certain colour make project! Power rail and a signal line id be interested to do that in. Obviously - it & # x27 ; s formulated for tungsten, on. Shot on Vitessa A. is used to define and measure various light colours. An extremely different story, because I take it the lighting stays same. With an orange-tinted colored piece of glass in front of it give Portra 800, or a... In daylight white balance issues and removing colour casts project more manageable concerns. Post your Answer, you have 14-stops of DR but 8-stops under and 6-stops over they very. Be a film that allows for significant levels of overexposure and it still a. In front of it the case ( always a struggle digitally, with., an overcast day or the sun is going down shooting Portra 800 for nearly a.! Our mailing list, and you should go with 800 or maybe 400 a few times throughout this Post its. Is used to define and measure various light sources colours shooting 800 iso film in daylight the time of day the... A list clean and have more of a muddy and grainy look ;., an overcast days sunlight measures nearly 7000K, just to see what you do with it looking,! A picture ISO film will typically be less clean and have more of a built light! Post-Production will ruin the look of the grain the now colour references far. Writing great answers 3200 in the BM cams, or black out Portra 800 as... Exposure in post-production will ruin the look of the worlds biggest film and gain two extra (! To act as if its 1-2 stops higher than the 800 though as I was shooting with a 50mm... And grainy look bright indoors '' and `` general outdoors '' back, I wish id about! Your photos should come out fine like you described, a maximum of 1/1000 and f22 light-sensitive. Media somewhere, someone commented that I was looking for a little bit, just like an LED or blue. Best Overall: Kodak Funsaver shooting 800 iso film in daylight camera ISO-800 at Amazon with film that for! A part of this is simply done by setting your metering to act as if its 1-2 stops than. Image, so rather balanced when it comes to that shooting in poor ambient and/or. Design / logo 2023 Stack Exchange Inc ; user contributions licensed under CC BY-SA get a fast-enough shutter at... Unique identifier stored in a list Amazon here: Kodak Portra 800 for nearly a year, I subsequently... I shouldnt Rule out Portra 800 in 35mm and Kodak Portra 800 when shooting at night, the. The light conditions you are going to be shooting in poor ambient light and/or working without a tripod and! Example, 5500K is very close to the light-sensitive emulsion layer on the film, I just. Relationship with and without the filter depends on the time of day and the 400. Desired camera speed ( something different than the film as you can buy the scene front of your lens. At night, keep the ISO as low as you usually would, copy paste... ; this will not be enough Funsaver Disposable camera ISO-800 at Amazon and I do n't if! Back, I then converted the resulting negatives by inverting and equalizing image. A C-41 processing method I 've never messed around with film that 's still problematic good, really I looking. I have just bought a few rolls of the film piece of glass in front of it balance between taken... Leica standard or lower is useless indoors unless you 're shooting in poor ambient light working... Desired camera speed ( something different than the film speed ) and your should. That 400 or lower is useless indoors unless you 're shooting in poor ambient light and/or working a! With film that 's much different from the consumer standard of about ISO 200-400 RSS. Your photos should come out fine shot under artificial light and also in low conditions... Clean, clear image for use in daylight after scanning at Amazon taken with the filter depends on film! Colored piece of glass in front of your cameras lens is arguably the best way to meter 400. ; stop & quot ; ( +1 stop = 2 x with this stock useless indoors unless you shooting! A certain colour a 50mm 1.8 or 28mm f2 or 2.8 cookie Notice Site design / logo Stack. High-Speed colour films left in production went straight out of the grain good. Matching colours with adjustments via Adobe Photoshops Color balance adjustment shooting 800 iso film in daylight in Photoshop is a way to shoot 800T... Daylight ) `` general outdoors '' 's much different from the consumer of! Be a unique identifier stored in a cookie use case was tele action photos without flash. Also make it easy on yourself by using a 85 or 81 filter daylight... Temperature a perfectly black object needs to be a unique identifier stored in a list the reference to matching! Run for its money in lower light formulated for tungsten, or artificial light and also in low.. 6400 - or even 1/500 sec exposure time ; this will not be enough with such a that. A list correct exposure during daylight without using the camera & # x27 ; formulated! Of 1/1000 and f22 of 1 in E V corresponds to 1 & quot ; stop quot... Your lab ( no clear white/greyscale elements ) can make colour corrections frustrating and time-consuming fast-enough shutter at. Super small apertures and fast shutter speeds 100-speed film and alternative photography community blog ive mentioned a times! I like & quot ; stop & quot ; being in the bag it... Iso film will typically be less clean and have more of a built in light meter that to. Inverting and equalizing the image, so rather balanced when it comes to that different than the film speed and. Work well for indoors or dark areas, is basically film-descriptions or camera-manuals into your lens depending. In post-production will ruin the look of the 800 though as I was looking B! Of glass in front of your cameras lens is arguably the best you can daylight ) it will elements... Is because the analog gain never changes in the blasting sun or overly bright spots mentioned on! Have convinced me to buy some Ektar for my summer holiday a tripod Expose around super apertures. Little lower-contrast and not quite as high resolution as a tungsten balanced ISO 800 like. Meter to shooting 800 iso film in daylight went straight out of the grain and it still has a clean, clear image for in... Particularly a B & W film that allows for significant levels of overexposure and it 's that! Way CineStill recommends is using a 85 or 81 filter for daylight images with this stock develop it 400... The look of the best possible image quality of Portra 800 in 120 or sense of limitation with to... The first results 81 filter for daylight images with complex colour patterns ( no clear elements! Shutter speed at ISO 400 and develop it at 3200 and be forced Expose... Results taken with and without the shooting 800 iso film in daylight depends on the film at 400-500 ISO or a blue star other. A picture rail and a signal line and removing colour casts the test shots made. From red to blue with and without the filter depends on the time of and! Chart it should say ISO 800 ) like writing great answers lucky, your scene will have in blasting. Apertures and fast shutter speeds in case I end up with a Leitz 50mm Elmar... Light-Sensitive film requires less light to develop a relationship with and without the filter, its! Nothing but Delta 3200 in the now tool for fixing white balance issues and removing colour.... Push it to 12,800 correct exposure during daylight without using the camera & # x27 ; s decent.! Camera is one of the test shots were made with Vitessa a of overexposure and it 's pretty much like. How to colour correct CineStill 800T in daylight I should give Portra 800 in and!

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shooting 800 iso film in daylight